By Elizabeth Oyler
"Swords, Oaths, and Prophetic Visions" investigates one of the most traditionally vital political and social matters raised by means of the Genpei battle (1180-1185). This epic civil clash, which ushered in Japan's age of the soldiers, is so much famously articulated within the huge narrative "Heike monogatari" ("The story of the Heike"). Elizabeth Oyler's bold paintings lays out the advanced interconnections among the varied version texts of the Heike and the historic occasions they describe. yet, Oyler's leading edge method additionally brings different texts and genres - the Gikeiki, the Soga monogatari, the Azuma kagami, and items from the kowakamai (ballad-dramas) repertoire - into her research. instead of focusing on person texts, Oyler specializes in the intertextual relationships inside of this higher physique of narrative and drama and the collective function of those works in developing and disseminating tales approximately many of the Genpei War's so much contentious occasions. In so doing, she works towards a brand new figuring out of the underlying cultural difficulties of which those stories are symptomatic and which they try and deal with.
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Extra resources for Swords, Oaths, and Prophetic Visions: Authoring Warrior Rule in Medieval Japan
The non-self-suf¤ciency of the literary text has been underlined by every generation of literary studies since the heyday of the new critics, but the context I am describing points to an additional complication. The texts in question here most certainly over¶ow the boundaries of the 26 Chapter One written page, since most of them have several appropriate articulations, often as both performance and written works. And each one stands in close relation to other versions of the same story, which indicates the potential for a composite narrative extending across individual versions.
The texts in question here most certainly over¶ow the boundaries of the 26 Chapter One written page, since most of them have several appropriate articulations, often as both performance and written works. And each one stands in close relation to other versions of the same story, which indicates the potential for a composite narrative extending across individual versions. The works in this study are not only not constrained by two covers, but further, not bounded by any sort of textual autonomy: wholesale movement of large narrative segments among versions is extremely common; there is rarely authorial attribution for any work; and there is little sense of an authoritative originary text from which the others have descended.
Hôjô Tokimasa,30 the patriarch, is away in the capital, and Yoritomo begins an affair with the eldest Hôjô daughter, Masako. En route from the capital, Tokimasa promises Masako to a fellow Izu landholder, Kanetaka. When he learns that Masako has given birth to a daughter by Yoritomo, he pretends to know nothing of the relationship and sends Masako off to Kanetaka. Masako escapes, however, and joins Yoritomo on Izu Mountain, where he has secluded himself. Tokimasa and Kanetaka, fearing the militant ascetics of the mountain, decide not to pursue the matter.
Swords, Oaths, and Prophetic Visions: Authoring Warrior Rule in Medieval Japan by Elizabeth Oyler